Links will be added incrementally as I populate this new website design.
Book chapters ¶
GILES, V., E. WELSH, G. JENNINGS. 2018. Australian Composition for Baroque Instruments: exploring the importance of composer/performer collaborative relationships in 21st Century composition. In: DOROTTYA FABIAN, J. N. (eds.) Diversity in Australia’s Music. Cambridge Scholars.
Journal articles ¶
GILES, V. 2017. Microsound, Spectra, and Objectivity: tracing memetics in organised sound (abstract). Leonardo Abstracts Service. Online: Leonardo/ISAST.
ALSOP, R. & GILES, V. 2015. Interpreting Data: Re-contextualizing Data to Develop Approaches to Musical Composition. Emille, vol 13.
BENNETT, A. & GILES, V. 2015. Locating and Utilising Inherent Qualities in an Expanded Sound Palette for Solo Flute. Emille, vol 13.
Conference presentations ¶
ALSOP, R. & GILES, V. 2015. Interpreting Data: Re-contextualizing Data to Develop Approaches to Musical Composition. Korean Electroacoustic Music Society Annual Conference 2015. Seoul, South Korea: KEAMS.
BENNETT, A. & GILES, V. 2015. Locating and Utilising Inherent Qualities in an Expanded Sound Palette for Solo Flute. Korean Electroacoustic Music Society Annual Conference 2015. Seoul, South Korea: KEAMS.
GILES, V. 2015. Scoring for Grid Controllers - Preliminary Considerations of Action, Gesture, Functionality, and Limitations. Australasian Computer Music Conference. Sydney, Australia: Australasian Computer Music Association.